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TOOLS OF THE TRADE PART II: THE PAINTER’S CRAFT
By Robert K. Roark

There is an almost endless variety of tools available to today’s artists.  Regardless of what your creative endeavors might involve, there is most likely the exact tool just waiting to help you proceed more efficiently.

Many artists create unnecessary frustration for themselves by trying to utilize tools not meant for the job at hand.  And the “job” of which we speak is not always the actual creative part of the process.  As an example, if you are an artist who paints on stretched canvas, you can choose prestretched canvas on which to work, or you can stretch your own.  Buying stretched canvas “off the shelf” is undoubtedly more convenient, but you are rather limited in terms of size and canvas texture.

Stretching your own canvas is not difficult providing you have a few simple, basic tools on hand.  Stretcher bars, which may be purchased at your local art supply store, or mail-ordered, come in one inch increments, lengthwise, and two weights – heavy or regular – depending on the size of your painting.

Canvas, as we have discussed in past articles, comes in a variety of weights, textures, materials, widths and lengths.  As you can see, by having the right tools with which to stretch your own canvas, the creative possibilities suddenly expand exponentially.

Of course, you will need a few other simple tools to supplement your bars and canvas.  For measuring and cutting, a good metal yardstick or ruler and a pair of scissors.  For stretching, a pair of canvas pliers and a staple gun or hammer and tacks.

Brushes are, in a sense, simply tools that the artist uses to reach his or her creative goals.  Choose your brushes carefully for they can facilitate your efforts or greatly hinder them.  Most brushes are designed for a specific purpose or meant to create a certain effect.  By picking the right brush for the work to be done, you will make your task much easier. 

Think of proper lighting as a tool to help you along the way.  Avoid the use of regular fluorescent and/or incandescent bulbs.  These will cast your work in an unfavorable light, so to speak. Seek out natural light or make use of special bulbs that simulate sunlight.  These bulbs are relatively expensive but well worth the extra money.

A quality easel is one of the most important and useful tools an artist can own.  Weight and flexibility are two characteristics to look for when choosing an easel.  The heavier the easel, the more stability it will provide and a good easel will conform to any canvas format that you may be using.  If you select a large, wooden easel, be sure it has locking casters for ease of mobility.

To help cut “drudge” work, consider the use of an opaque projector and/or a 35mm slide projector.  Each of these tools can be quiet handy for enlarging sketches and reviewing small drawings and photographs in a larger format.

A well-equipped studio should contain a variety of tools, both large and small, to help in the creative process.  If you are having difficulty accomplishing a particular task, there is probably a tool available to make that task easier.

Do not limit the search for tools to your art supply store – be sure to check out the neighborhood hardware store as well!  A tool designed for one purpose can sometimes serve another purpose equally well.

Among the small tools which I can’t do without are:

  1. An X-acto knife with a #11 blade.
  2. A 36” lightweight maul stick.
  3. Tweezers with fine, serrated tips.
  4. Magnifying glasses that are worn on the head and can be flipped up when not in use.
  5. A roll of masking tape attached to my easel.
  6. A 12” plastic t-square and a 12” aluminum ruler.

You can probably come up with other tools that will suit your specific purposes.

Remember, the creative process is arduous enough without having to contend with the wrong tools or a lack of the right tools.

E-mail Mr. Roark your ideas for topics, comments or questions: rkroark@artisticforum.com

Share your questions, comments or favorite helpful tips with other artists on our new forum.

READ ARTICLE ON MR. ROARK

Visit Mr. Roark in his studio at Winstanley-Roark Fine Arts, 2759 Main Street, Brewster, MA  02631, Tel: (508) 896-1948 or (800) 828-7217, E-Mail: wrfa@masterfulart.com.

RELATED ARTICLE: TOOLS OF THE TRADE By Robert K. Roark

A LIST OF MR. ROARK'S UPCOMING ONE-PERSON 2001 EXHIBITIONS

"Goddess of the North Star", o/c, 40x32, © By Robert K.Roark
"Goddess of the North Star", o/c, 40x32
© By Robert K.Roark

"ROBERT K. ROARK: Creating a New Age of Enlightenment"

Meet Mr. Roark at this upcoming show at Winstanley-Roark Fine Arts at an artist champagne reception on Saturday, August 18, 2001, from 5 PM to 8 PM.  

Show will run through August 26, 2001.  

For further information on current works, works in progress, and commissions by Mr. Roark, please contact his gallery, Winstanley-Roark Fine Arts, 2759 Main Street, Brewster, MA  02631, Tel: (508) 896-1948 or (800) 828-7217, E-Mail: wrfa@masterfulart.com.

==========

"Daybreak", o/c, 24x40, ©By Robert K. Roark
"Daybreak", o/c, 24x40, © By Robert K. Roark

" ROBERT K. ROARK: Master of Light and Realism"

The Cape Museum of Fine Arts will be mounting this exhibition of Mr. Roark's work in their new Polhemus/Savery Gallery.  

The exhibition will open with an artist reception on November 18, 2001 and will then run through January 20, 2002.  Please contact the CMFA, P.O. Box 2034, Dennis, MA 02638, 508.385.4477, for times and complete details.

 

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